The Poetics of Poetry Film my interview on the book with Dr Meriel Lland will be online at the 9th International Video Poetry Festival, Athens, Sunday 6th June (see www.filmpoetry.org time tbc).
The link is here https://vimeo.com/521526072
Poetry Film – Getting Started
WIRRAL POETRY FESTIVAL Sunday 27th June 2021 from 3–4.30 PM, with poet Sarah Wimbush, young filmmaker Isobel Turner and Sarah Tremlett. An online discussion on how to begin making poetry films with advice and examples. https://wirralpoetryfestival.org.uk
Liberated Words at LYRA festival will be hosting two poetry film screenings this year. The first one on Saturday 17th 12–1 BST is a joint curation by Lucy and myself, on the theme of Reconnections. Lucy has chosen to feature artists from the South West, covering subjects such as landscape, the body, our emotions in relation to the pandemic and I have chosen a selection on family history, mainly made during Lockdown. I am creating a family history poetry film site at Liberated Words and if you are interested in this subject please get in touch. Artists featured include: Kat Lyons, Rebecca Tantony, Helmie Stil, Helen Johnson, Edson Burton, Yvonne Reddick, Francesco Garbo, Pierluigi Muscolino, Sarah Wimbush and Sarah Tremlett. This is a free event but for tickets go to www.lyrafest.com
The second event is The Poetics of Poetry Film interview with myself and Dr Rebecca Kosick of Bristol Poetry Institute 21st April 6–7 BST.
Bristol Poetry Institute, University of Bristol presents
In Conversation with Sarah Tremlett: The Poetics of Poetry Film
Date: Wednesday 21 April 2021
Time: 6:00 – 7:00pm
The Bristol Poetry Institute and Indisciplinary Poetics Research Cluster will host this conversation with Sarah Tremlett (co-director of Liberated Words) and Rebecca Kosick (co-director of the Bristol Poetry Institute). The duo will discuss Tremlett’s forthcoming book, The Poetics of Poetry Film: Film Poetry, Videopoetry, Lyric Voice, Reflection. This event is free and open to all. For more information and to reserve your ticket, visit our Eventbrite page.
Tickets and registering are also available through www.lyrafest.com in the other events section.
‘A ground-breaking, encyclopedic work,comprising nearly 400 pages, with multiple contributors … it explores the history and different types of poetry film, a must for students, researchers, poets, filmmakers, across the fields of media, filmmaking, literary and cultural studies, art and philosophy and sheds light on the fast-growing genre…’
Copies are already on sale with Amazon in the UK.
REELpoetry, Houston, 24-28 February. Online this year, REELpoetry was a wonderful event. At https://www.publicpoetry.net and directed by Fran Sanders the festival was available to view from all time zones. I was lucky enough to work with Mary McDonald on a project for the festival where we helped selected poets make poetry films from pre-chosen films and soundscapes. Fran also invited Mary and I to judge the competition entries with her, and it was a difficult choice but the results were as follows:
The judges’ prize went to “The '90s” by poet Kathleen Flenniken and filmmaker Elizabeth Flenniken. The poem is from "Post Romantic: Poems” by Kathleen Flenniken.
The audience award went to “#BlackLivesMatter” by Ijeoma "E&J" Eke.
The deconstructed film winner is “A Moving Portrait” by poet Linda Eve Diamond. The watercolor animation is by Matvey Rezenov, and the music is by simondsouza.
It was a big festival to organise and so well put together by Fran, David and Leila, I was very impressed. It was full to the brim of different events to watch online. Fran asked each of the presenters to give a 15-minute presentation of their work and I chose three very different poetry films: Lockdowning with short one-minute diary footage of the early days of lockdown; Selfie with Marilyn (much said elsewhere, except that the collection the poem is from has now won the PANK Books Prize for Poetry. It will be published on June 1st, Marilyn’s 95th birthday. Huge congratulations to Heidi! And also Tom Konvyes has had some interesting things to say about the film on Liberated Words.com). The final film Firewash is a poem and poetry film about a mediaeval mining ancestor, from my family history project Tree. Firewash, the poem, is in the forthcoming collection Earth Lines by Edinburgh Geological Society. The poem arose from a visit to an old site in Cornwall where my ancestor mined, and which fortuitously is now a farm shepherd's hut retreat. I stayed there during a gale and, aside from factual elements, I cannot really say where much of the poem came from.
I was also interviewed by Dr Meriel Lland on my forthcoming book The Poetics of Poetry Film, and the link for that is here
Very pleased to say the Dadaist I Swallow with poem by Bristol City Poet Caleb Parkin will be screened as part of Lyrical Visions festival on the 9th of December. This will be one of those rare occasions at the moment – a LIVE screening – because the event takes place in Titirangi, a suburb of Auckland, New Zealand. It sounds a fantastic and very special event to be part of – see their description below.
Lyrical Visions is an annual celebration of poetry film, animation and music. It’s the brainchild of film makers Martin Sercombe and Robin Kewell. Robin screens the very best of ‘art house’ cinema from Lopdell House in the bush clad Auckland suburb of Titirangi. Martin moved to Titirangi from Norwich, UK in 2014 and teaches film and animation at AUT Auckland and in community settings. The idea was to bring together Martin and Robin’s work with other local film makers, poets and students, in a format that includes some of the best international cinematic poetry. Each show combines live performances with video projections and single screen works. The fifth year’s programme will include a band of local musicians improvising live to projected films.
The events are sponsored by local businesses and SAE Institute, the school of audio, music and screen production based in Auckland.
For more information about the festival and Martin’s film work, please visit https://martinsercombe.com/lyrical-visions-2/
For more about the cinema screenings, see:
Selfie with Marilyn in ZEBRA, Berlin and FOTOGENIA, Mexico City – and article on Who Creates the Image?
Liberated Words' www.liberatedwords.com latest article asks Who Creates the Image inspired by Selfie with Marilyn (poet Heidi Seaborn, performer Hatti Rees and filmmaker Sarah Tremlett) which I am really thrilled to say has been selected for this year’s ZEBRA, Berlin (19-22 November) and in Spanish for FOTOGENIA, Mexico City, 12–14 November – the festival selecting 'disruptive, avant-garde narratives'.
Sarah Tremlett, poet Heidi Seaborn and Dr Meriel Lland discuss Selfie with Marilyn, female (self)representation over the years, Hatti's exploration of personas and Sarah’s New Romantic identities. Non-binary artist Hatti Rees (who performs Marilyn rehearsing), is also currently in the exhibition Power to the Models alongside ten other outsider identities at The Stedelijk Museum, Breda where leading innovative artist, photographer and curator Jan Hoek has enabled the models to take control of their images and define themselves. Also big congratulations to Hatti on the release of her first song as XAiLA available on Spotify and other sites see www.hattirees.com.
This discussion brought up many other subjects and certainly will be continuing. Just like to say how very grateful I am to the Visible Poetry Project who produced the film for their April (one film a day) National Poetry Month annual project. Here film-makers get to choose a poet and poem they would like to work with, and I happened to get very lucky!
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Very pleased to be taking part in this stimulating conference organised by the Geological Society, with a strong team of geopoets at the helm and taking part. Whilst pre-COVID-19 the event would have been live, (with all that encompasses in relation to the theme), geological sites have found their online visual voice through poetry plus photographs, paintings, music and poetry film. Renowned poet John Hegley is headlining the day, with unmissable talks and readings from: Yvonne Reddick, Sarah Acton, Norrie Bissell, Nia Davies, Alyson Hallett, Ken Cockburn and more, including the Hugh Miller Writing Competition poetry winners Jack Cooper (18–25) and Claire Rinterknecht (under 18). I will be reciting the poem and showing the poetry film ‘Firewash’, the second episode from Tree my family history geopoetry and poetry film project.
To sign up to watch the conference please go to: https://www.geolsoc.org.uk/geopoetry20 where they note:
‘This event is to follow up the Geological Society's first Geopoetry Day (held in 2011), and was due to take place at the Scottish Poetry Library, Edinburgh. While due to the coronavirus situation it will now take place online, we are delighted to present a programme that brings together voices from around the world while remaining firmly rooted in Scotland.
Rocks have long inspired poets (refer to Burns' "O my Luve's like a red, red rose"poem 2794): "Till a' the seas gang dry, my dear, And the rocks melt wi' the sun".
To the present day poets are similarly inspired. Michael McKimm's Fossil Sunshine (2013) and "MAP, Poems after William Smith's Geological Map of 1815" (2015) showed how geological subject matter from Geopoetry 2011 could inspire poets: "...the poems here make Smith's map anew in moving and surprising ways". The Jurassic Coast Poems (2017) by Sarah Acton, the Jurassic resident poet, showed continued inspiration: "We hear the red rock Speak in ripples".
This event, to be held on National Poetry Day (1 October 2020), is hosted by the Geological Society (in conjunction with the Central Scotland Group), the Scottish Poetry Library and the Edinburgh Geological Society and will bring together poets and geoscientists to further encourage the rocks to speak.
Thanks to the sponsorship of the Scottish Energy Forum, registration for this event is free.’